Claudia Moscovici

My Interview about Velvet Totalitarianism and The Seducer in Celebrity Dialogue

Claudia Moscovici: Novelist, Non-Fiction Author & Art Critic PDF Print E-mail
March 11th, 2012
Interview of Claudia Moscovici on CelebrityDialgoue.com
Claudia Moscovici is an American Romanian Novelist, non-fiction author and art critic. Her latest novel “The Seducer” is a psychological story of a married woman trapped in the love of an unassuming psychopath. Claudia is the author of “Velvet Totalitarianism,” a critically acclaimed novel about a Romanian family’s survival in an oppressive communist regime due to the strength of their love.

CelebrityDialogue: What is the basic plot of your latest novel “The Seducer”?Claudia: “The Seducer,” my new psychological thriller, shows both the hypnotic appeal and the deadly danger of psychopathic seduction. This novel traces the downfall of a married woman, Ana, who, feeling trapped in a lackluster marriage, has a torrid affair with Michael, a man who initially seems to be her soul mate and her dream come true. Although initially torn between love for her family and her passion for Michael, Ana eventually gives in to her lover’s pressure and asks her husband for divorce. That’s when Michael’s “mask of sanity” unpeels to reveal the monstrously selfish psychopath underneath. Written in the tradition of Tolstoy’s “Anna Karenina,” my novel shows that true love can be found in our ordinary lives and relationships rather than in flimsy fantasies masquerading as great passions.
CelebrityDialogue: What inspired you to write this novel?Claudia: I have always been a big fan of nineteenth-century fiction that focuses on the theme of seduction: I’m thinking of classic novels like Tolstoy’s “Anna Karenina” and Flaubert’s “Madame Bovary”. I also read with great interest the libertine novel tradition of the eighteenth-century: my favorite in this genre being Laclos’ epistolary novel, “Dangerous Liaisons”. I think in his depiction of Valmont, Laclos gets the seducer profile exactly right: he is a dangerous psychopath—essentially a social predator who plays games with the lives of others, having malicious fun at their expense– rather than a libertine maverick (as in Casanova) or a tragic romantic hero (as in Tolstoy). I did four years of psychology research of the most dangerous personality disorders—psychopathy and narcissism—to create a realistic and up-to-date psychological profile of the seducer in my new novel by the same name.
CelebrityDialogue: Would you like to introduce our readers to a non-fiction book, “Dangerous Liaisons”, that you wrote in 2011?

Claudia: Although the theme of psychopathy comes up mostly when we hear about (psychopathic) serial killers, it is actually much more commonplace and pervasive, in both fact and fiction. What do O. J. Simpson, Scott Peterson and the timeless seducers of literature epitomized by the figures of Don Juan and Casanova have in common? They are charismatic, glib and seductive men who also embody the most dangerous human qualities: a breathtaking callousness, shallowness of emotion and the incapacity to love. In other words, these men are psychopaths. Unfortunately, most psychopaths don’t advertise themselves as heartless social predators. They come across as charming, intelligent, friendly, generous, romantic and kind. Through their believable “mask of sanity,” they lure many of us into their dangerous nets. My nonfiction book, “Dangerous Liaisons,” explains clearly, for a general audience, what psychopaths are, why they act the way they do, how they attract us and whom they tend to target. Above all, this book helps victims find the strength to end their toxic relationships with psychopaths and move on, stronger and wiser, with the rest of their lives.

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CelebrityDialogue: What exactly is psychopathic seduction?

Claudia: Psychopathic seduction happens when someone is seduced (targeted, lured with false promises or under false premises, deceived, manipulated, isolated and brainwashed) by a psychopathic social predator. Psychopaths are far more common than one thinks. Experts estimate that between 1 and 4 percent of the population is psychopathic. This means that there are millions of psychopaths in the United States alone. The influence of these very dangerous individuals extends far beyond this percentage however. Psychopaths are generally very sociable, highly promiscuous and con countless people: sexually, emotionally and/or financially. They poison tens of millions of lives in this country and far more, of course, internationally.

Claudia Moscovici The Seducer

CelebrityDialogue: Your novel “Velvet Totalitarianism” is about a Romanian family’s survival against communist regime. Since you have Romanian roots, did any true life events prompt you to write this novel?

Claudia: “Velvet Totalitarianism”, which was recently launched in Romanian translation (“Intre Doua Lumi,” Curtea Veche Publishing, 2011), is inspired in part by events in Romanian history as well as by elements from my life and my parents’ lives: including my father’s defection to the U.S., our dealings with the Securitate and our immigration. Nevertheless, I fictionalized both the historical and the biographical elements to give the novel a tighter and more dramatic structure.
CelebrityDialogue: You must have felt proud when this novel was published in Romanian language?

Claudia: I was delighted that “Velvet Totalitarianism” was published in Romania, both because it was written about the history and struggles of the Romanian people and because I have a sentimental attachment and cultural ties to my native country. I was especially happy to see how well-received the novel in translation (“Intre Doua Lumi”) was by the mainstream media in Romania, where it was featured not only in literary and culture magazines such as Scrisul Romanesc and Viata Romaneasca, but also in Forbes.ro, women’s glossy magazines (such as Revista Avantaje), and general interest blogs like Catchy.ro and VIP.net. Since I aspire to being a public writer and intellectual, I wish to reach a wide community of readers, internationally.
CelebrityDialogue: Which are your other major published works?

Claudia: I have published several scholarly books, but I’d consider “major” works only those books that I wrote for a general audience. These include my art criticism book “Romanticism and Postromanticism”, on the Romantic tradition in art and literature and its postromantic survival; my novels “Velvet Totalitarianism” and “The Seducer”, and my psychology book about psychopaths and dangerous relationships, “Dangerous Liaisons”.
CelebrityDialogue: You are the co-founder of” Postromanticism”. For those who may not know, please shed some light on this movement.

Claudia: I believe that art movements are not only diachronic, emerging one after the other, as they tend to be taught in art history, but also synchronic, in that each new art movement borrows from many aesthetic traditions of the past. Postromanticism, the international art movement I co-launched in 2002 with the Mexican sculptor Leonardo Pereznieto, is no exception. It is inspired by several traditions in art history, including Neoclassicism, Romanticism and art nouveau. Postromanticism places emphasis upon beauty, sensuality and passion in contemporary art. You can see samples of postromantic art on my website, http://postromanticism.com.
CelebrityDialogue: Since you write about love, beauty and passion, what does love mean to you in real life? Were you able to find love in your life?

Claudia: Being a novelist and art/literary critic, for many years I looked mostly at fantasy—since, after all, that’s what art and fiction are–to describe love as a romantic ideal rather than as a daily lived reality. But for the past few years, particularly after studying personality disorders, I have come to appreciate much more the pragmatic and ethical dimensions of real love. To me, love implies mutual commitment, supporting one another through thick and thin, fidelity and caring about one another: everything that the wedding vows promise and that my wonderful and supportive husband, Dan Troyka, has offered me in real life for over 20 years, since we met and fell in love in college.
CelebrityDialogue: What are you working on these days?

Claudia: Since my interests are in several fields—fiction, art and psychology—I always work at several projects simultaneously. This “multitasking” keeps me from becoming bored with any one subject or stuck in a rut creatively. Right now I’m researching the psychology of cults, which will be the subject of my third novel, “The Cult”. Since cult leaders are often charismatic psychopaths, this novel will incorporate a lot of the research I’ve already done to write “The Seducer” and “Dangerous Liaisons”. In addition, I have just finished writing the preface for an exciting new science fiction novel called “The Cube”, written in the tradition of Huxley’s “Brave New World” and Orwell’s “1984”, which will be published by my publisher in a few months. At the same time, I’m working closely with the Romanian-born movie producer Bernard Salzman, whom you’ve already interviewed in Celebrity Dialogue, on the screenplay for my first novel, “Velvet Totalitarianism”. Hopefully this will be an American-Romanian production, since a large part of the plot takes place in Romania. I also continue with my art criticism and am preparing for the launch of “Romanticism and Postromanticism”, translated by the writer and critic Dumitru Radu Popa, in Romania next fall. It’s a Latin country so I’m hoping for a warm reception of postromanticism, the art of passion!
CelebrityDialogue: Thank you so much Claudia. It was a pleasure.

Claudia: Thank you for this interview, the pleasure was mine.

March 11, 2012 Posted by | Bernard Salzman Velvet Totalitarianism, book review, Celebrity Dialogue Bernard Salzman, Celebrity Dialogue Claudia Moscovici, Claudia Moscovici, communist Romania, contemporary fiction, fiction, Intre Doua Lumi Curtea Veche Publishing, literary criticism, literary fiction, literature, literature salon, literaturesalon, Nat Karody The Cube | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on My Interview about Velvet Totalitarianism and The Seducer in Celebrity Dialogue

America’s Obsession with Vampires

 

As a native Romanian who is also a novelist, I’m very intrigued–and, frankly, somewhat baffled–by America’s obsession with vampires and the Dracula legend. It seems like vampire novels and movies are growing in popularity, even as they’re being spoofed by yet other vampire novels and movies! From what I can see, this trend doesn’t seem as popular in Europe. This leads me to wonder: what are some of the reasons behind America’s obsession with vampires? I came up with five main reasons:

1. Exoticism. The setting of the original Dracula legend is a country whose history and traditions are foreign to most American readers, who find Romania distant and exotic. By way of contrast, to most Europeans, Romania is relatively familiar. It’s a place plagued by its devastating totalitarian history (first the rule of the Iron Guard, then its lengthy communist period). It’s a place struggling to emerge from its dark past, faced with enormous economic and political challenges. To the French, at least, it’s also a place known for immigrants from both sides of the social spectrum: the gypsy exodus, which is often linked to pick-pocketing and a nomadic lifestyle, and some of the most intriguing European intellectuals and artists. But when you say that you’re from Romania to most Americans, the first thing they’ll think of is not Eugene Ionesco or Mircea Eliade, but of Dracula. Vlad Tepes, also known as Vlad the Impaler (the ruler of Wallachia between 1456 and 1462) captivates readers with his notorious inhumanity. He’s infamous for the sadistic punishments he imposed upon his Turkish ennemies as well as upon anyone who violated his laws. Legend has it that he’d enjoy his supper watching prisoners being impaled before his eyes.

2. Which leads me to my second reason: the lure of evil. Vampires–these liminal beings between dark spirit and bad human–represent the powers of evil, over which we have limited control. Evil seduces us, only to later destroy us. The vampire bite is closely associated with unbridled sexuality. Vampires, like social predators, suck the vitality or life blood of healthy human beings before moving on to the next victim. But then, I wondered, why don’t we read about them in their human form, such as the Scott Petersons of this world? Why do we prefer to view and read about them as our Others?

3. Mediated evil. Human evil is inescapable. It’s everywhere around us. We read about it in the pages of history books and we see it on the news: ranging from the haunting memories of the Holocaust, to the Stalinist purges, to the latest serial killers on T.V. Because we’re exposed on a daily basis to the inhumanity of social predators, we’re not as intrigued by them as we are by their un-human counterparts, the vampires. Familiarity breeds not contempt, but boredom. At the same time, evil in its human form makes people very uncomfortable. We don’t want to imagine that social predators could enter our neighborhoods, our houses and our lives, to harm us or our loved ones. Vampires, these liminal beings between human and demon, give a more bearable expression to the evil we know, in the back of  our minds, exists in the world and can reach into the intimacy of our lives. They enable us to contemplate evil while holding it at arm’s length.

4. The widespread appeal of genre fiction. Compared to most Europeans, Americans have very little leisure time. Europeans get weeks, if not months, of vacation a year. Your average American gets only about two to three weeks. Although the distinction between literary fiction and genre fiction is not cut-and-dry, I’d say that genre fiction places emphasis upon a fast-moving, interesting plot, while literary fiction privileges psychologically nuanced characterizations and a unique style. Most vampire novels, though well-written, place most emphasis on plot. They’re perfect for readers who have little time and want to delve immediately into the action rather than being distracted by stylistic experiments or bogged down by a long-winded, Proustian style. Of course, there are some vampire novels that harmonously blend several genres, to offer readers the best of all worlds. I’m thinking of Elizabeth Kostova’s The Historian, which combines a beautiful style, historical erudition about the Dracula legend and a fast-paced, intriguing story.

5. Education. My teenage daughter reminded me yesterday that she and her friends read the Twilight series in fifth grade. This was their first exposure to narrative fiction that both adults and young adults enjoy reading. In Europe, on the other hand, the curriculum places emphasis (from a very young age) upon the literary canon. I remember being exposed to Tolstoy, Baudelaire and Flaubert early on, as opposed to reading either in school or for school the latest popular novels. While American students do sample the literary canon as well, that usually starts later–in high school–and even then, they’re exposed mostly to the Anglo-American tradition. But, unlike most European students, they discover the pleasure of reading by delving into popular contemporary fiction right away. This sticks with them and most likely shapes their literary taste later in life as well.

All this to say that I suspect that our obsession with vampires in the U.S. is not a fluke. There are real reasons why vampire thrillers became so popular here and why they’re probably not going to disappear from sight anytime soon. Having experienced evil first hand, however, I prefer to depict it as it is: all-too-human even in its worst inhumanity. When I was a little girl and complained to my parents about being afraid of monsters in my room, they told me that the only thing I should fear is evil human beings. Monsters, like vampires, don’t exist and can’t harm us. But it seems that some human beings are capable of immense evil, limited only by the worst of their desires and imaginations. It’s this real, human, evil that I wrote about, both in my novel about totalitarian Romania, Velvet Totalitarianism (2009) and in my second novel, The Seducer, about a sociopathic predator. Sometimes, the monsters we imagine in fiction pale by comparison to the evil created by the monsters in our lives.

Claudia Moscovici, Notablewriters.com

You can see sample chapters of my new novel, The Seducer, previewed on Neatorama’s Bitlit, on the link below:

http://www.neatorama.com/bitlit/category/the-seducer/

You can also watch video previews of The Seducer on youtube, by cutting and pasting the following links:

http://www.youtube.com/user/ClaudiaMoscovici

http://www.youtube.com/user/ClaudiaMoscovici?feature=mhum#p/a/u/0/IaZj4bceDpE


 

January 11, 2011 Posted by | Bram Stoker, Claudia Moscovici, communist Romania, contemporary fiction, David Israel, David K. Israel, Dracula, Eclipse, fiction, historical fiction, history, literary fiction, literature, literature salon, literaturesalon, Neatorama's Bitlit, new fiction, novel, novels, Romania, seducer, seduction, social predators, sociopath, sociopathy, Stephenie Meyer, The Historian, Twilight, Twilight series, vampire fiction, Velvet Totalitarianism, Vlad Tepes | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

The Seducer: A Modern Cautionary Tale

 

During the nineteenth century, novelists like Flaubert and Tolstoy viewed literature as interlinked with education. In their minds, literature was not reducible to its educational value. Novels, however, represented one of the most moving and creative means of doing both things at once: entertaining and instructing the general public. The great masterpieces of nineteenth-century literature, Anna Karenina and Madame Bovary, show what happens when women lose their sense of self and boundaries and get involved with dangerous men. My new novel perpetuates this literary tradition for our times. The Seducer shows what happens to two women who get involved with a social predator. The modern seducer, however,  is no harmless and frivolous player, like Madame Bovary‘s Rodolphe. He’s a vicious psychopathic sex addict posing as Mr. Right.

There’s no better time for reading educational fiction, intended to simultaneously enlighten and entertain you, than in the days following the new year. This is the time when most of us do some soul searching, to see how we can improve ourselves and better our lives. During these days, advertisers deluge us with new products–diet aids, exercise equipment, beauty supplies and how to books–all intended to show us that their products will help us lead a better and healthier life.

Most of the time, however, these self-help tools are like band aids for the soul. They may help us marginally improve ourselves if we already lead good lives, with loving partners and have a healthy self esteem. But no beauty treatment, exercise equipment or diet formula can change an inherently bad relationship, heal a partner suffering from a personality disorder, or give you a sense of worth. Self respect must come from within: from a healthy attitude towards yourself and others. Consequently, if you’ve spent months or even years struggling in a toxic relationship with a disordered partner, the best thing you can do for yourself this new year is face reality and leave the toxic relationship. This will not be possible, however, unless you learn how to respect yourself.

In my new novel, The Seducer, I  illustrate how a lack of adequate self esteem and insecurities can lead some women directly into the arms of social predators. These dangerous men know how to flatter them initially, only to later gradually isolate them from others, play upon their insecurities and gnaw at their self-esteem. The insidious process of eroding one’s sense of self and boundaries is most obvious in the interaction between Michael, a sociopathic sex addict, and Karen, his loving partner who can’t escape their toxic relationship no matter how much he mistreats her. And mistreat her he does: he cheats on her with dozens of women; lies to her; plays catch and release games by breaking up with her and then feigning love and contrition to get back into her life; makes her feel insecure about her body image leading her to bulimia and food addiction; encourages her to feel unattractive by unfavorably comparing her to other women and undermining her self-worth. For many of you who are–or have been–involved with bad men, this story will sound very familiar, as fiction will reflect your real life.

The Seducer also shows how even women who have high self esteem, like the main character, Ana, can fall into the trap set by psychopathic seducers. Such men flatter you, reflect your dreams and pose as your soul mates. Only once you fall into their clutches do they show their true colors and start eroding your boundaries and self image. You can witness for yourself the whole process of psychopathic seduction in The Seducer, previewed on Neatorama’s Bitlit.

The main thing that can save you from a psychopath–or from any other manipulative person who wants to take over your life–is cultivating a healthy self-esteem. This may seem like a truism. Unfortunately, it’s the kind of common sense that many know but fewer actually practice. Any therapist will tell you that he or she stays in business largely because of people’s unrealistic perception of themselves. Character distortions not only damage our self-confidence, but also taint our relationships. They make us excessively vain, or needy, or inflexible, or too willing to bend over backwards just to please others. More seriously, character disorders, such as psychopathy and malignant narcissism, are unfixable in adults.

Fortunately, however, most people don’t suffer from such constitutive emotional and moral deficiencies. More commonly, we suffer from distorted perceptions of ourselves. This puts us at risk of falling into the clutches of controlling individuals. To find your compass you need to look within, as the Greeks wisely advised. Ultimately, nobody else can save you. You can save yourself by living well, which depends upon knowing your worth–neither underestimating nor overestimating it–and pursuing with a mostly internally driven self-confidence the path you want to take in life.

As a novelist and literary critic, I believe that this lesson can be learned as much from literature as from life. Novels can touch you on both an intellectual and an emotional level. I’m hoping that my modern cautionary tale, The Seducer, will  introduce you to a fictional world that mirrors and magnifies the psychological reality within you to help you see more clearly–and surmount–the real challenges you face in life.

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com

January 3, 2011 Posted by | Anna Karenina, bitlit, books, Claudia Moscovici, contemporary fiction, David Israel, David K. Israel, domestic abuse, domestic violence, Edward K. Kaplan, Edward Kaplan, fiction, Flaubert, Gustave Flaubert, Leo Tolstoy, literary criticism, literary fiction, literature, literature salon, literaturesalon, love, Madame Bovary, novel, novels, psychological fiction, psychopath, psychopathy, seducer, seduction, serial novels, social predators, sociopath, sociopathy, The Seducer, The Seducer: A Novel, thriller, Tolstoy | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on The Seducer: A Modern Cautionary Tale

Advance Praise for The Seducer

 


Advance Praise for my new novel about psychopathic seduction, The Seducer:

Like the best, most delicious novels, Claudia Moscovici’s psychological thriller, The Seducer, grips you in its opening pages and holds you in its addictive clutches straight through to its dramatic, remarkable conclusion. This is a fascinating novel, on every page of which Moscovici’s intimate understanding of the psychology of psychopaths and their victims gleams with a laser’s concentrated brilliance. The result is a narrative that builds with a patient, yet propulsive, force; a narrative whose intensity and suspense, in tandem, leave the reader eager to know, at every step of the way, what happens next? I encourage the reader to start this novel with a full set of nails, because it’s a nail biter in the most literal sense.

Steve Becker, MSW, LCSW LoveFraud.com feature columnist, Expert/Consultant on Narcissism and Psychopathy

What is love in this seductive new novel? Hypnotic attraction or deadly trap? A dream come true or a world filled with obsessions in the absence of genuine feelings? The Seducer probes the chilling depths of alienation and selfishness as the heroine, Ana, is caught in the spider’s web of her narcissistic lover, Michael. No magic, just cruelty. Claudia Moscovici wrote a powerful novel about an unfortunate reality many women face: the unraveling of their romantic dreams as love turns into a cold and calculated game of chess.

Carmen Firan, author of Words and Flesh

The Seducer offers a thrilling look at the most dangerous men out there, that every woman is warned about and many encounter: the psychopathic predator. We’ve seen these men featured in the news for their gruesome crimes. But few would expect them to be the charming, debonair, romantic seducers that love stories are made of. When the heroine of the novel, Ana, met Michael, she was in for the roller-coaster ride of her life. In her exciting second novel, The Seducer, Claudia Moscovici depicts with talent and psychological accuracy the spellbinding power of these charming yet dangerous Don Juans.

D. R. Popa, author of Lady V and Other Stories (Spuyten Duyvil, 2007)

Claudia Moscovici’s new psychological thriller, The Seducer, reminds us of classics like Anna Karenina and Madame Bovary, but with a  contemporary twist. The new seducer is a psychopath, a dangerous predator without genuine emotion. And yet, we remain fascinated as he charms two women: one of them utterly dependent, the other seduced but autonomous. The reader’s outrage toward the reprehensible Michael may feel neutralized by the author’s meticulous studies of the psychopath in action and by what I call “ethical irony,” an often hidden moral perspective. Moscovici’s epic of betrayal and self-deception draws the reader into the convoluted mind of sexual predators and their victims. The narrative is bold, vivid and lucid.

Edward K. Kaplan, Brandeis University

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com


December 22, 2010 Posted by | abuse, Advance Praise for The Seducer, bitlit, Carmen Firan, Claudia Moscovici, D. R. Popa, domestic abuse, Edward Kaplan, fiction, literary criticism, literary fiction, literature, literature salon, literaturesalon, love story, passion, psychological fiction, psychopath, psychopathy, Radu Popa, social predators, sociopath, sociopathy, Steve Becker | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Advance Praise for The Seducer

The Seducer: A Novel

I have just finished my second novel, The Seducer, a psychological thriller about dangerous love and psychopathic seduction. Please find below a more detailed description of The Seducer:

My native country, Romania, is best known for a fictional character, Dracula, which is only loosely based on a historical fact: the infamous legend of Vlad Tepes. Novels that draw upon this legend—ranging from Anne Rice’s genre fiction, to the popular Twilight series, to Elizabeth Kostova’s erudite The Historian–continue to be best sellers. Yet, ultimately, no matter how much they may thrill us, the “undead” vampires we encounter in novels are harmless fictional characters that play upon our fascination with evil. However, real-life vampires, or individuals who relish destroying the lives of others, do exist. We see them constantly featured in the news and, if we don’t know how to recognize them, sometimes we even welcome them into our lives.

What do O. J. Simpson, Scott Peterson, Neil Entwistle and the timeless seducers of literature epitomized by the figures of Don Juan and Casanova have in common? They are charming, charismatic, glib and seductive men who also embody some of the most dangerous human qualities: a breathtaking callousness, shallowness of emotion and the fundamental incapacity to love. To such men, other people, including their own family members, friends and lovers, are mere objects or pawns to be used for their own gratification and sometimes quite literally discarded when no longer useful and exciting. In other words, these men are psychopaths.

My novel, The Seducer, shows both the hypnotic appeal and the deadly danger of psychopathic seduction. It traces the downfall of a married woman, Ana, who, feeling alienated from her husband and trapped in a lackluster marriage, has a torrid affair with Michael, a man who initially seems to be caring, passionate and charismatic; her soul mate and her dream come true. Although initially torn between love for her family and her passion for Michael, Ana eventually gives in to her lover’s pressure and asks her husband for divorce. That’s when Michael’s “mask of sanity” unpeels to reveal the monstrously selfish psychopath underneath, transforming what seemed to be the perfect love story into a psychological nightmare. Ana discovers that whatever seemed good about her lover was only a facade intended to attract her, win her trust and foster her dependency. His love was nothing more than lust for power, fueled by an incurable sex addiction. His declarations of love were nothing but a fraud; a string of empty phrases borrowed from the genuine feelings of others. Fidelity turned out to be a one-way street, as Michael secretly prowled around for innumerable other sexual conquests.

To her dismay, Ana finds that building a romantic relationship with a psychopathic partner is like building a house on a foundation of quicksand. Everything shifts and sinks in a relatively short period of time. Seemingly caring, and often flattering, attention gradually turns into jealousy, domination and control. Enjoying time together becomes isolation from others. Romantic gifts are replaced with requests, then with demands. Apparent selflessness and other-regarding gestures turn into the most brutal selfishness one can possibly imagine. Confidential exchanges and apparent honesty turn out to be filled with lies about everything: the past, the present, as well as the invariably hollow promises for the future. The niceness that initially seemed to be a part of the seducer’s character is exposed as strategic and manipulative, conditional upon acts of submission to his will. Tenderness diminishes and is eventually displaced by perversion that hints at an underlying, and menacing, sadism. Mutuality, equality and respect—everything she thought the relationship was founded upon—become gradually replaced with hierarchies and double standards in his favor. As the relationship with the psychopath unfolds, Dr. Jekyll morphs into Mr. Hyde.

The Seducer relies upon the insights of modern psychology and sensational media stories to demystify the theme of seduction we find in classic literary fiction. In its plot and structure, my novel deliberately echoes elements of the nineteenth-century classic, Anna Karenina. In its style and content, it fits in with contemporary mainstream psychological fiction such as Anna Quindlen’s Black and Blue and Wally Lamb’s I know this much is true. As much a cautionary tale as a story about the value of real caring, forgiveness and redemption, The Seducer shows that true love can be found in our ordinary lives and relationships rather than in flimsy fantasies masquerading as great passions.

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com

December 20, 2010 Posted by | bitlit, books, Claudia Moscovici, contemporary fiction, David Israel, David K. Israel, domestic abuse, domestic violence, fiction, literature, literature salon, literaturesalon, love story, Neatorama's Bitlit, new fiction, novel, novels, online fiction publisher, psychological fiction, psychopath, psychopathy, publishing opportunities, salon, seducer, seduction, social predators, sociopath, sociopathy, The Seducer, The Seducer: A Novel | , , , , , , , , , , , , , , , , , , , , , | 2 Comments