Claudia Moscovici

My Interview about Velvet Totalitarianism and The Seducer in Celebrity Dialogue

Claudia Moscovici: Novelist, Non-Fiction Author & Art Critic PDF Print E-mail
March 11th, 2012
Interview of Claudia Moscovici on CelebrityDialgoue.com
Claudia Moscovici is an American Romanian Novelist, non-fiction author and art critic. Her latest novel “The Seducer” is a psychological story of a married woman trapped in the love of an unassuming psychopath. Claudia is the author of “Velvet Totalitarianism,” a critically acclaimed novel about a Romanian family’s survival in an oppressive communist regime due to the strength of their love.

CelebrityDialogue: What is the basic plot of your latest novel “The Seducer”?Claudia: “The Seducer,” my new psychological thriller, shows both the hypnotic appeal and the deadly danger of psychopathic seduction. This novel traces the downfall of a married woman, Ana, who, feeling trapped in a lackluster marriage, has a torrid affair with Michael, a man who initially seems to be her soul mate and her dream come true. Although initially torn between love for her family and her passion for Michael, Ana eventually gives in to her lover’s pressure and asks her husband for divorce. That’s when Michael’s “mask of sanity” unpeels to reveal the monstrously selfish psychopath underneath. Written in the tradition of Tolstoy’s “Anna Karenina,” my novel shows that true love can be found in our ordinary lives and relationships rather than in flimsy fantasies masquerading as great passions.
CelebrityDialogue: What inspired you to write this novel?Claudia: I have always been a big fan of nineteenth-century fiction that focuses on the theme of seduction: I’m thinking of classic novels like Tolstoy’s “Anna Karenina” and Flaubert’s “Madame Bovary”. I also read with great interest the libertine novel tradition of the eighteenth-century: my favorite in this genre being Laclos’ epistolary novel, “Dangerous Liaisons”. I think in his depiction of Valmont, Laclos gets the seducer profile exactly right: he is a dangerous psychopath—essentially a social predator who plays games with the lives of others, having malicious fun at their expense– rather than a libertine maverick (as in Casanova) or a tragic romantic hero (as in Tolstoy). I did four years of psychology research of the most dangerous personality disorders—psychopathy and narcissism—to create a realistic and up-to-date psychological profile of the seducer in my new novel by the same name.
CelebrityDialogue: Would you like to introduce our readers to a non-fiction book, “Dangerous Liaisons”, that you wrote in 2011?

Claudia: Although the theme of psychopathy comes up mostly when we hear about (psychopathic) serial killers, it is actually much more commonplace and pervasive, in both fact and fiction. What do O. J. Simpson, Scott Peterson and the timeless seducers of literature epitomized by the figures of Don Juan and Casanova have in common? They are charismatic, glib and seductive men who also embody the most dangerous human qualities: a breathtaking callousness, shallowness of emotion and the incapacity to love. In other words, these men are psychopaths. Unfortunately, most psychopaths don’t advertise themselves as heartless social predators. They come across as charming, intelligent, friendly, generous, romantic and kind. Through their believable “mask of sanity,” they lure many of us into their dangerous nets. My nonfiction book, “Dangerous Liaisons,” explains clearly, for a general audience, what psychopaths are, why they act the way they do, how they attract us and whom they tend to target. Above all, this book helps victims find the strength to end their toxic relationships with psychopaths and move on, stronger and wiser, with the rest of their lives.

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CelebrityDialogue: What exactly is psychopathic seduction?

Claudia: Psychopathic seduction happens when someone is seduced (targeted, lured with false promises or under false premises, deceived, manipulated, isolated and brainwashed) by a psychopathic social predator. Psychopaths are far more common than one thinks. Experts estimate that between 1 and 4 percent of the population is psychopathic. This means that there are millions of psychopaths in the United States alone. The influence of these very dangerous individuals extends far beyond this percentage however. Psychopaths are generally very sociable, highly promiscuous and con countless people: sexually, emotionally and/or financially. They poison tens of millions of lives in this country and far more, of course, internationally.

Claudia Moscovici The Seducer

CelebrityDialogue: Your novel “Velvet Totalitarianism” is about a Romanian family’s survival against communist regime. Since you have Romanian roots, did any true life events prompt you to write this novel?

Claudia: “Velvet Totalitarianism”, which was recently launched in Romanian translation (“Intre Doua Lumi,” Curtea Veche Publishing, 2011), is inspired in part by events in Romanian history as well as by elements from my life and my parents’ lives: including my father’s defection to the U.S., our dealings with the Securitate and our immigration. Nevertheless, I fictionalized both the historical and the biographical elements to give the novel a tighter and more dramatic structure.
CelebrityDialogue: You must have felt proud when this novel was published in Romanian language?

Claudia: I was delighted that “Velvet Totalitarianism” was published in Romania, both because it was written about the history and struggles of the Romanian people and because I have a sentimental attachment and cultural ties to my native country. I was especially happy to see how well-received the novel in translation (“Intre Doua Lumi”) was by the mainstream media in Romania, where it was featured not only in literary and culture magazines such as Scrisul Romanesc and Viata Romaneasca, but also in Forbes.ro, women’s glossy magazines (such as Revista Avantaje), and general interest blogs like Catchy.ro and VIP.net. Since I aspire to being a public writer and intellectual, I wish to reach a wide community of readers, internationally.
CelebrityDialogue: Which are your other major published works?

Claudia: I have published several scholarly books, but I’d consider “major” works only those books that I wrote for a general audience. These include my art criticism book “Romanticism and Postromanticism”, on the Romantic tradition in art and literature and its postromantic survival; my novels “Velvet Totalitarianism” and “The Seducer”, and my psychology book about psychopaths and dangerous relationships, “Dangerous Liaisons”.
CelebrityDialogue: You are the co-founder of” Postromanticism”. For those who may not know, please shed some light on this movement.

Claudia: I believe that art movements are not only diachronic, emerging one after the other, as they tend to be taught in art history, but also synchronic, in that each new art movement borrows from many aesthetic traditions of the past. Postromanticism, the international art movement I co-launched in 2002 with the Mexican sculptor Leonardo Pereznieto, is no exception. It is inspired by several traditions in art history, including Neoclassicism, Romanticism and art nouveau. Postromanticism places emphasis upon beauty, sensuality and passion in contemporary art. You can see samples of postromantic art on my website, http://postromanticism.com.
CelebrityDialogue: Since you write about love, beauty and passion, what does love mean to you in real life? Were you able to find love in your life?

Claudia: Being a novelist and art/literary critic, for many years I looked mostly at fantasy—since, after all, that’s what art and fiction are–to describe love as a romantic ideal rather than as a daily lived reality. But for the past few years, particularly after studying personality disorders, I have come to appreciate much more the pragmatic and ethical dimensions of real love. To me, love implies mutual commitment, supporting one another through thick and thin, fidelity and caring about one another: everything that the wedding vows promise and that my wonderful and supportive husband, Dan Troyka, has offered me in real life for over 20 years, since we met and fell in love in college.
CelebrityDialogue: What are you working on these days?

Claudia: Since my interests are in several fields—fiction, art and psychology—I always work at several projects simultaneously. This “multitasking” keeps me from becoming bored with any one subject or stuck in a rut creatively. Right now I’m researching the psychology of cults, which will be the subject of my third novel, “The Cult”. Since cult leaders are often charismatic psychopaths, this novel will incorporate a lot of the research I’ve already done to write “The Seducer” and “Dangerous Liaisons”. In addition, I have just finished writing the preface for an exciting new science fiction novel called “The Cube”, written in the tradition of Huxley’s “Brave New World” and Orwell’s “1984”, which will be published by my publisher in a few months. At the same time, I’m working closely with the Romanian-born movie producer Bernard Salzman, whom you’ve already interviewed in Celebrity Dialogue, on the screenplay for my first novel, “Velvet Totalitarianism”. Hopefully this will be an American-Romanian production, since a large part of the plot takes place in Romania. I also continue with my art criticism and am preparing for the launch of “Romanticism and Postromanticism”, translated by the writer and critic Dumitru Radu Popa, in Romania next fall. It’s a Latin country so I’m hoping for a warm reception of postromanticism, the art of passion!
CelebrityDialogue: Thank you so much Claudia. It was a pleasure.

Claudia: Thank you for this interview, the pleasure was mine.

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March 11, 2012 Posted by | Bernard Salzman Velvet Totalitarianism, book review, Celebrity Dialogue Bernard Salzman, Celebrity Dialogue Claudia Moscovici, Claudia Moscovici, communist Romania, contemporary fiction, fiction, Intre Doua Lumi Curtea Veche Publishing, literary criticism, literary fiction, literature, literature salon, literaturesalon, Nat Karody The Cube | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on My Interview about Velvet Totalitarianism and The Seducer in Celebrity Dialogue

Advance Praise for The Seducer

 


Advance Praise for my new novel about psychopathic seduction, The Seducer:

Like the best, most delicious novels, Claudia Moscovici’s psychological thriller, The Seducer, grips you in its opening pages and holds you in its addictive clutches straight through to its dramatic, remarkable conclusion. This is a fascinating novel, on every page of which Moscovici’s intimate understanding of the psychology of psychopaths and their victims gleams with a laser’s concentrated brilliance. The result is a narrative that builds with a patient, yet propulsive, force; a narrative whose intensity and suspense, in tandem, leave the reader eager to know, at every step of the way, what happens next? I encourage the reader to start this novel with a full set of nails, because it’s a nail biter in the most literal sense.

Steve Becker, MSW, LCSW LoveFraud.com feature columnist, Expert/Consultant on Narcissism and Psychopathy

What is love in this seductive new novel? Hypnotic attraction or deadly trap? A dream come true or a world filled with obsessions in the absence of genuine feelings? The Seducer probes the chilling depths of alienation and selfishness as the heroine, Ana, is caught in the spider’s web of her narcissistic lover, Michael. No magic, just cruelty. Claudia Moscovici wrote a powerful novel about an unfortunate reality many women face: the unraveling of their romantic dreams as love turns into a cold and calculated game of chess.

Carmen Firan, author of Words and Flesh

The Seducer offers a thrilling look at the most dangerous men out there, that every woman is warned about and many encounter: the psychopathic predator. We’ve seen these men featured in the news for their gruesome crimes. But few would expect them to be the charming, debonair, romantic seducers that love stories are made of. When the heroine of the novel, Ana, met Michael, she was in for the roller-coaster ride of her life. In her exciting second novel, The Seducer, Claudia Moscovici depicts with talent and psychological accuracy the spellbinding power of these charming yet dangerous Don Juans.

D. R. Popa, author of Lady V and Other Stories (Spuyten Duyvil, 2007)

Claudia Moscovici’s new psychological thriller, The Seducer, reminds us of classics like Anna Karenina and Madame Bovary, but with a  contemporary twist. The new seducer is a psychopath, a dangerous predator without genuine emotion. And yet, we remain fascinated as he charms two women: one of them utterly dependent, the other seduced but autonomous. The reader’s outrage toward the reprehensible Michael may feel neutralized by the author’s meticulous studies of the psychopath in action and by what I call “ethical irony,” an often hidden moral perspective. Moscovici’s epic of betrayal and self-deception draws the reader into the convoluted mind of sexual predators and their victims. The narrative is bold, vivid and lucid.

Edward K. Kaplan, Brandeis University

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com


December 22, 2010 Posted by | abuse, Advance Praise for The Seducer, bitlit, Carmen Firan, Claudia Moscovici, D. R. Popa, domestic abuse, Edward Kaplan, fiction, literary criticism, literary fiction, literature, literature salon, literaturesalon, love story, passion, psychological fiction, psychopath, psychopathy, Radu Popa, social predators, sociopath, sociopathy, Steve Becker | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Advance Praise for The Seducer

The Seducer: A Novel

I have just finished my second novel, The Seducer, a psychological thriller about dangerous love and psychopathic seduction. Please find below a more detailed description of The Seducer:

My native country, Romania, is best known for a fictional character, Dracula, which is only loosely based on a historical fact: the infamous legend of Vlad Tepes. Novels that draw upon this legend—ranging from Anne Rice’s genre fiction, to the popular Twilight series, to Elizabeth Kostova’s erudite The Historian–continue to be best sellers. Yet, ultimately, no matter how much they may thrill us, the “undead” vampires we encounter in novels are harmless fictional characters that play upon our fascination with evil. However, real-life vampires, or individuals who relish destroying the lives of others, do exist. We see them constantly featured in the news and, if we don’t know how to recognize them, sometimes we even welcome them into our lives.

What do O. J. Simpson, Scott Peterson, Neil Entwistle and the timeless seducers of literature epitomized by the figures of Don Juan and Casanova have in common? They are charming, charismatic, glib and seductive men who also embody some of the most dangerous human qualities: a breathtaking callousness, shallowness of emotion and the fundamental incapacity to love. To such men, other people, including their own family members, friends and lovers, are mere objects or pawns to be used for their own gratification and sometimes quite literally discarded when no longer useful and exciting. In other words, these men are psychopaths.

My novel, The Seducer, shows both the hypnotic appeal and the deadly danger of psychopathic seduction. It traces the downfall of a married woman, Ana, who, feeling alienated from her husband and trapped in a lackluster marriage, has a torrid affair with Michael, a man who initially seems to be caring, passionate and charismatic; her soul mate and her dream come true. Although initially torn between love for her family and her passion for Michael, Ana eventually gives in to her lover’s pressure and asks her husband for divorce. That’s when Michael’s “mask of sanity” unpeels to reveal the monstrously selfish psychopath underneath, transforming what seemed to be the perfect love story into a psychological nightmare. Ana discovers that whatever seemed good about her lover was only a facade intended to attract her, win her trust and foster her dependency. His love was nothing more than lust for power, fueled by an incurable sex addiction. His declarations of love were nothing but a fraud; a string of empty phrases borrowed from the genuine feelings of others. Fidelity turned out to be a one-way street, as Michael secretly prowled around for innumerable other sexual conquests.

To her dismay, Ana finds that building a romantic relationship with a psychopathic partner is like building a house on a foundation of quicksand. Everything shifts and sinks in a relatively short period of time. Seemingly caring, and often flattering, attention gradually turns into jealousy, domination and control. Enjoying time together becomes isolation from others. Romantic gifts are replaced with requests, then with demands. Apparent selflessness and other-regarding gestures turn into the most brutal selfishness one can possibly imagine. Confidential exchanges and apparent honesty turn out to be filled with lies about everything: the past, the present, as well as the invariably hollow promises for the future. The niceness that initially seemed to be a part of the seducer’s character is exposed as strategic and manipulative, conditional upon acts of submission to his will. Tenderness diminishes and is eventually displaced by perversion that hints at an underlying, and menacing, sadism. Mutuality, equality and respect—everything she thought the relationship was founded upon—become gradually replaced with hierarchies and double standards in his favor. As the relationship with the psychopath unfolds, Dr. Jekyll morphs into Mr. Hyde.

The Seducer relies upon the insights of modern psychology and sensational media stories to demystify the theme of seduction we find in classic literary fiction. In its plot and structure, my novel deliberately echoes elements of the nineteenth-century classic, Anna Karenina. In its style and content, it fits in with contemporary mainstream psychological fiction such as Anna Quindlen’s Black and Blue and Wally Lamb’s I know this much is true. As much a cautionary tale as a story about the value of real caring, forgiveness and redemption, The Seducer shows that true love can be found in our ordinary lives and relationships rather than in flimsy fantasies masquerading as great passions.

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com

December 20, 2010 Posted by | bitlit, books, Claudia Moscovici, contemporary fiction, David Israel, David K. Israel, domestic abuse, domestic violence, fiction, literature, literature salon, literaturesalon, love story, Neatorama's Bitlit, new fiction, novel, novels, online fiction publisher, psychological fiction, psychopath, psychopathy, publishing opportunities, salon, seducer, seduction, social predators, sociopath, sociopathy, The Seducer, The Seducer: A Novel | , , , , , , , , , , , , , , , , , , , , , | 2 Comments