Claudia Moscovici

Celebrity Dialogue Interview with Cinematographer Bernard Salzman

Please find below a CELEBRITY DIALOGUE INTERVIEW with the award winning writer / director / producer / cinematographer and artist BERNARD SALZMAN, with whom I’m collaborating on a screenplay and movie of my first novel, VELVET TOTALITARIANISM.


BERNARD SALZMAN has collaborated on over one hundred and sixty projects, including documentaries, features, TV Movies and reality TV world wide, for such clients as: BBC, PARAMOUNT, UNIVERSAL, FOX, ABC, CBS, HBO, SHOWTIME and many others. His companies INNER CIRCLE FILMS and EYE OPENER FILMS, are full service production companies, able to provide production and post production services. Bernard had the honor of being nominated for  the Emmy award for a TV movie he made for CBS. 

CelebrityDialogue: Did you have formal education in cinematography and production or did you learn by doing?

Bernard: I attended film school where, since I had previously majored in Art, I concentrated in Cinematography.

CelebrityDialogue: How did you enter the entertainment industry?

Bernard: Because of my art training, after graduation I was offered to shoot and direct a series of documentaries about prominent artist – ended up doing 35 films in that series.  One of them received a special critics award at a film festival in Stockholm.

CelebrityDialogue: When and how did you establish Eye Opener Films?

Bernard: Eye Opener Films was established in 2007, as a secondary production company dealing mainly with the development and production of feature films.   My other company Inner Circle Films, produces mainly commercials, documentaries and reality TV.

CelebrityDialogue: Tell us about your documentaries that you produced and shot?

Bernard: I started my career as a filmmaker, doing documentaries.  As I mentioned, I did the series abut artists and following that was hired to collaborate on documentaries  dealing  with various subjects – archeology, social and political subjects, religion and many others. It became increasingly difficult to fund and market documentaries in the 80’s and 90’s, therefore my work concentrated more on features, TV movies and commercials. But I always had a soft spot for documentaries and when the opportunity presented itself, I was able to do one of my favorite documentaries – Vegas Striped. It documents the rise and fall of a young man who, after overcoming a traumatic childhood, is able to become a very successful business man, only to loose it all to his gambling addiction.

CelebrityDialogue: Which major commercials have you done? Which corporate clients have you worked for?

Bernard: I have done numerous commercials in Europe and the US. Clients included: Nike, Sony, Pepsi, Kodak, Allstate, M&Ms, BMW,  Porsche, Rocawear, and so many others.

CelebrityDialogue: What about your work in features? Which major production houses have you worked with?

Bernard: I had the opportunity to work for major studios and independents alike.  Disney, HBO, Showtime, CBS, PBS, Fox, Paramount, MGM.

CelebrityDialogue: Which reality TV shows have you been involved with?

Bernard: I have developed several reality TV shows starting with a show called Man vs Vegas for CMT. Other shows were Raising the bar, The prodigy and recently, At the Pawn Shop.

CelebrityDialogue: Which project got you nominated for the Emmy award?
Bernard: It was a TV movie called My past is my own for CBS – it was about the civil rights movement.

CelebrityDialogue: Which other awards have you won?

Bernard: I received two Best Cinematography awards, a Gold Telly award and a Shine media award.

CelebrityDialogue: Tell us about Love, Blood and Tears.

Bernard: Love Blood and Tears is a project about the Lincoln brigades and their involvement in the Spanish Civil War.  These volunteers from all walks of life went to Spain to fight against and prevent the rise of Fascism.  Many famous artists have taken part in this, including George Orwell, Hemingway and many others.

CelebrityDialogue: Which other projects are you working on currently?

Bernard: I am trying to raise funds for a feature film that is very dear to me, based on a script and short story I wrote called  Mihaella.  I have also developed a web based show called Divorce Rehab – I am currently in production with it.

You can find out more information about Bernard Salzman–his movies, commercials, documentaries, shows and art–as well as about my novel, Velvet Totalitarianism, which we’re currently collaborating on, on the links below:

http://bernardsalzman.com/ 
http://fineartebooks.wordpress.com/2011/01/18/the-art-of-bernard-salzman/ 
http://www.youtube.com/user/ClaudiaMoscovici?feature=mhum#p/u/9/2Db3FI_kv0Y 
http://www.litkicks.com/ClaudiaMoscovici 
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April 18, 2011 Posted by | Bernard Salzman, bitlit, Blood and Tears, book review, book reviews, books, Celebrity Dialogue, Celebrity Dialogue Interview with Cinematographer Bernard Salzman, cinematographer Bernard Salzman, Claudia Moscovici, communism, communist Romania, David Israel, David K. Israel, Eye Opener Films, fiction, Inner Circle Films, interviews, literary criticism, literary fiction, literature, literature salon, literaturesalon, Love Blood and Tears, movie review, movie reviews, My past is my own, new fiction, novel, novels, Princeton University, producer Bernard Salzman, psychological fiction, spy fiction, spy thriller, Velvet Totalitarianism | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Celebrity Dialogue Interview with Cinematographer Bernard Salzman

Neatorama’s Bitlit Launches The Cube: A Novel by Nat Karody

 

Today, Neatorama’s literature blog Bitlit is proud to introduce a new science fiction novel: The Cube by Nat Karody. Were you disappointed by the ending to the series Lost? What follows is a story with as intricate a mythology as Lost’s but with an important difference: in the end it is all explained mechanistically, without resort to mysticism or religion. At the conclusion of the novel, the following summary of the core mystery, taken from the opening chapter, will be perfectly sensible: The Oopsah told a story, a majestic, exalted, beatific story of the coming of the end times and the rise of the Controller.

He learned how the world would end, who would destroy it, and how he, Zranga, could prevent it. He learned that he had been appointed by destiny – by the Controller himself – to carry out this mission. But above all he learned of the existence of a perfect being, the demigod Celeste, trapped beyond time in a cycle of eternal death. Only Zranga could rescue her, and to do this he had to place a giant door on the bottom of the Silent Sea, and kill the Great Man. Read on to found out how far Ivy Morven will go to stop Tobor Zranga from realizing his destiny, and how this alternative universe is bizarrely structured so that the most rational acts are the most extreme.

What I  love most about The Cube is the fact that it’s phenomenally well written  and has great character development. Although clearly a science fiction narrative, The Cube also transcends its genre, to attract a broad audience. It tells the Romeo and Juliet story of a  young couple from adjacent sides of a  cubic planet who meet at an edge and develop a relationship in the midst  of a war that threatens to  destroy the planet. The story is unique  in creating an alternative  universe from first principles:  all matter is   oriented in one of the six Euclidian directions.

This simple deviation  from our own universe leads to the creation of cubic celestial bodies and   allows a reimagination of  transportation, power generation, warfare,   architecture, and lovemaking, among other things. As an example, the  political conflict   leading to war is that both inhabited sides of the   planet generate hydroelectric power by draining a large body of water on   one side   through edge sluices, a cheap and easy source of energy that will ultimately destroy the planet if the water is drained too far.

What  drives this story is the relationship of the two main characters,  a girl  escaping from a classified weapons facility with terrible secrets she   refuses to share, and a rural boy who literally catches her  when she leaps   over the edge and soon learns he is the target of international espionage.   The novel is organized around a series of   revelations of the girl’s   secrets culminating with an answer to the ultimate question — who is  Celeste?

As you can probably tell even from my brief description, The Cube is a multidimensional narrative (pun intended!) that could simultaneously described as a science fiction novel as well as a moving love story and a dystopic utopia fiction,  similar  to George Orwell’s 1984.  You can discover this alternative universe, governed by different laws of physics but similar political motivations and machinations for power as in our world, on the links below:

http://www.neatorama.com/bitlit/category/the-cube/ 
http://www.youtube.com/user/ClaudiaMoscovici?feature=mhum#p/a/u/0/BXP7xYtrVeU 

Claudia Moscovici, literaturesalon

March 31, 2011 Posted by | book review, Book Review of The Cube, Book Review of The Cube: A Novel by Nat Karody, book reviews, books, Claudia Moscovici, David Israel, David K. Israel, literary criticism, literary fiction, literature, literature salon, literaturesalon, love, love story, Nat Karody, Neatorama, Neatorama's Bitlit, new fiction, novel, novels, online fiction publisher, science fiction, The Cube, The Cube: A Novel, The Cube: A Novel by Nat Karody | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Neatorama’s Bitlit Launches The Cube: A Novel by Nat Karody

Book Review of Trivial Pursuits? by David K. Israel and Jennifer Byrne

 

There’s no easy or standard way in which human beings cope with loss. The process of mourning can pull families together or tear them apart. David K. Israel’s and Jennifer Byrne’s new novel, Trivial Pursuits?, reveals how two families deal with one of the most difficult and non-trivial aspects of life: the death of their loved ones. Although written in a realist style, with three-dimensional characters that readers can easily relate to, the structure of the novel has some postmodern, Robbe-Grillet, elements to it in the way it intertwines, in an almost accidental meeting, the two distinct strands of the plot.

One strand traces the life of Fareed, an endearing fifteen year old Druze boy from Israel, whose mother died tragically of breast cancer. He spends his life in an R.V. touring L.A. with his father, memorizing trivia in the hopes of landing a spot on the popular show Jeopardy! Teen-tour.

Incidentally, for the history buffs out there, the novel offers a fascinating depiction of the Druzes, people of Arab origin (perhaps with Jewish roots, some experts claim) that remain loyal to every country they live in. For this reason, as young Fareed explains, the Israeli Druzes are the only Arabs who enroll in the army to defend the state of Israel. This is a very interesting choice of narrator: one that crosses ethnic, religious and cultural boundaries in unexpected ways, especially given that the political situation in the Middle East is such a polarizing topic.

The second strand of the novel follows the lives of Amy and Greg, a couple who live a few miles away, in the Valley. Their marriage initially faces the challenge of not being able to have a baby (naturally) together, then the sudden death of their adopted child, P.J. To cope with their loss, both families undergo a difficult process of mourning. The only question is: will this pull them together or push them apart?

While Amy finds temporary solace in a casual but torrid lesbian affair with Lynette, Fareed experiences his first true love with an older girl named Eos. Their paths cross as Eos meets Amy and Lynette, but eventually the two sets of lives move in different directions. You can read this intricately woven and moving novel about loss and regeneration online, by purchasing it on Amazon.com Kindle Edition or by sampling select chapters on Neatorama’s Bitlit, on the link below:

http://www.neatorama.com/bitlit/category/trivial-pursuits/

Claudia Moscovici, literaturesalon

February 2, 2011 Posted by | bitlit, book review, book reviews, books, Claudia Moscovici, contemporary fiction, David K. Israel, Jennifer Byrne, literature, literature salon, literaturesalon, love, love story, Neatorama's Bitlit, new fiction, novel, novels | , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on Book Review of Trivial Pursuits? by David K. Israel and Jennifer Byrne

America’s Obsession with Vampires

 

As a native Romanian who is also a novelist, I’m very intrigued–and, frankly, somewhat baffled–by America’s obsession with vampires and the Dracula legend. It seems like vampire novels and movies are growing in popularity, even as they’re being spoofed by yet other vampire novels and movies! From what I can see, this trend doesn’t seem as popular in Europe. This leads me to wonder: what are some of the reasons behind America’s obsession with vampires? I came up with five main reasons:

1. Exoticism. The setting of the original Dracula legend is a country whose history and traditions are foreign to most American readers, who find Romania distant and exotic. By way of contrast, to most Europeans, Romania is relatively familiar. It’s a place plagued by its devastating totalitarian history (first the rule of the Iron Guard, then its lengthy communist period). It’s a place struggling to emerge from its dark past, faced with enormous economic and political challenges. To the French, at least, it’s also a place known for immigrants from both sides of the social spectrum: the gypsy exodus, which is often linked to pick-pocketing and a nomadic lifestyle, and some of the most intriguing European intellectuals and artists. But when you say that you’re from Romania to most Americans, the first thing they’ll think of is not Eugene Ionesco or Mircea Eliade, but of Dracula. Vlad Tepes, also known as Vlad the Impaler (the ruler of Wallachia between 1456 and 1462) captivates readers with his notorious inhumanity. He’s infamous for the sadistic punishments he imposed upon his Turkish ennemies as well as upon anyone who violated his laws. Legend has it that he’d enjoy his supper watching prisoners being impaled before his eyes.

2. Which leads me to my second reason: the lure of evil. Vampires–these liminal beings between dark spirit and bad human–represent the powers of evil, over which we have limited control. Evil seduces us, only to later destroy us. The vampire bite is closely associated with unbridled sexuality. Vampires, like social predators, suck the vitality or life blood of healthy human beings before moving on to the next victim. But then, I wondered, why don’t we read about them in their human form, such as the Scott Petersons of this world? Why do we prefer to view and read about them as our Others?

3. Mediated evil. Human evil is inescapable. It’s everywhere around us. We read about it in the pages of history books and we see it on the news: ranging from the haunting memories of the Holocaust, to the Stalinist purges, to the latest serial killers on T.V. Because we’re exposed on a daily basis to the inhumanity of social predators, we’re not as intrigued by them as we are by their un-human counterparts, the vampires. Familiarity breeds not contempt, but boredom. At the same time, evil in its human form makes people very uncomfortable. We don’t want to imagine that social predators could enter our neighborhoods, our houses and our lives, to harm us or our loved ones. Vampires, these liminal beings between human and demon, give a more bearable expression to the evil we know, in the back of  our minds, exists in the world and can reach into the intimacy of our lives. They enable us to contemplate evil while holding it at arm’s length.

4. The widespread appeal of genre fiction. Compared to most Europeans, Americans have very little leisure time. Europeans get weeks, if not months, of vacation a year. Your average American gets only about two to three weeks. Although the distinction between literary fiction and genre fiction is not cut-and-dry, I’d say that genre fiction places emphasis upon a fast-moving, interesting plot, while literary fiction privileges psychologically nuanced characterizations and a unique style. Most vampire novels, though well-written, place most emphasis on plot. They’re perfect for readers who have little time and want to delve immediately into the action rather than being distracted by stylistic experiments or bogged down by a long-winded, Proustian style. Of course, there are some vampire novels that harmonously blend several genres, to offer readers the best of all worlds. I’m thinking of Elizabeth Kostova’s The Historian, which combines a beautiful style, historical erudition about the Dracula legend and a fast-paced, intriguing story.

5. Education. My teenage daughter reminded me yesterday that she and her friends read the Twilight series in fifth grade. This was their first exposure to narrative fiction that both adults and young adults enjoy reading. In Europe, on the other hand, the curriculum places emphasis (from a very young age) upon the literary canon. I remember being exposed to Tolstoy, Baudelaire and Flaubert early on, as opposed to reading either in school or for school the latest popular novels. While American students do sample the literary canon as well, that usually starts later–in high school–and even then, they’re exposed mostly to the Anglo-American tradition. But, unlike most European students, they discover the pleasure of reading by delving into popular contemporary fiction right away. This sticks with them and most likely shapes their literary taste later in life as well.

All this to say that I suspect that our obsession with vampires in the U.S. is not a fluke. There are real reasons why vampire thrillers became so popular here and why they’re probably not going to disappear from sight anytime soon. Having experienced evil first hand, however, I prefer to depict it as it is: all-too-human even in its worst inhumanity. When I was a little girl and complained to my parents about being afraid of monsters in my room, they told me that the only thing I should fear is evil human beings. Monsters, like vampires, don’t exist and can’t harm us. But it seems that some human beings are capable of immense evil, limited only by the worst of their desires and imaginations. It’s this real, human, evil that I wrote about, both in my novel about totalitarian Romania, Velvet Totalitarianism (2009) and in my second novel, The Seducer, about a sociopathic predator. Sometimes, the monsters we imagine in fiction pale by comparison to the evil created by the monsters in our lives.

Claudia Moscovici, Notablewriters.com

You can see sample chapters of my new novel, The Seducer, previewed on Neatorama’s Bitlit, on the link below:

http://www.neatorama.com/bitlit/category/the-seducer/

You can also watch video previews of The Seducer on youtube, by cutting and pasting the following links:

http://www.youtube.com/user/ClaudiaMoscovici

http://www.youtube.com/user/ClaudiaMoscovici?feature=mhum#p/a/u/0/IaZj4bceDpE


 

January 11, 2011 Posted by | Bram Stoker, Claudia Moscovici, communist Romania, contemporary fiction, David Israel, David K. Israel, Dracula, Eclipse, fiction, historical fiction, history, literary fiction, literature, literature salon, literaturesalon, Neatorama's Bitlit, new fiction, novel, novels, Romania, seducer, seduction, social predators, sociopath, sociopathy, Stephenie Meyer, The Historian, Twilight, Twilight series, vampire fiction, Velvet Totalitarianism, Vlad Tepes | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

The Seducer: A Modern Cautionary Tale

 

During the nineteenth century, novelists like Flaubert and Tolstoy viewed literature as interlinked with education. In their minds, literature was not reducible to its educational value. Novels, however, represented one of the most moving and creative means of doing both things at once: entertaining and instructing the general public. The great masterpieces of nineteenth-century literature, Anna Karenina and Madame Bovary, show what happens when women lose their sense of self and boundaries and get involved with dangerous men. My new novel perpetuates this literary tradition for our times. The Seducer shows what happens to two women who get involved with a social predator. The modern seducer, however,  is no harmless and frivolous player, like Madame Bovary‘s Rodolphe. He’s a vicious psychopathic sex addict posing as Mr. Right.

There’s no better time for reading educational fiction, intended to simultaneously enlighten and entertain you, than in the days following the new year. This is the time when most of us do some soul searching, to see how we can improve ourselves and better our lives. During these days, advertisers deluge us with new products–diet aids, exercise equipment, beauty supplies and how to books–all intended to show us that their products will help us lead a better and healthier life.

Most of the time, however, these self-help tools are like band aids for the soul. They may help us marginally improve ourselves if we already lead good lives, with loving partners and have a healthy self esteem. But no beauty treatment, exercise equipment or diet formula can change an inherently bad relationship, heal a partner suffering from a personality disorder, or give you a sense of worth. Self respect must come from within: from a healthy attitude towards yourself and others. Consequently, if you’ve spent months or even years struggling in a toxic relationship with a disordered partner, the best thing you can do for yourself this new year is face reality and leave the toxic relationship. This will not be possible, however, unless you learn how to respect yourself.

In my new novel, The Seducer, I  illustrate how a lack of adequate self esteem and insecurities can lead some women directly into the arms of social predators. These dangerous men know how to flatter them initially, only to later gradually isolate them from others, play upon their insecurities and gnaw at their self-esteem. The insidious process of eroding one’s sense of self and boundaries is most obvious in the interaction between Michael, a sociopathic sex addict, and Karen, his loving partner who can’t escape their toxic relationship no matter how much he mistreats her. And mistreat her he does: he cheats on her with dozens of women; lies to her; plays catch and release games by breaking up with her and then feigning love and contrition to get back into her life; makes her feel insecure about her body image leading her to bulimia and food addiction; encourages her to feel unattractive by unfavorably comparing her to other women and undermining her self-worth. For many of you who are–or have been–involved with bad men, this story will sound very familiar, as fiction will reflect your real life.

The Seducer also shows how even women who have high self esteem, like the main character, Ana, can fall into the trap set by psychopathic seducers. Such men flatter you, reflect your dreams and pose as your soul mates. Only once you fall into their clutches do they show their true colors and start eroding your boundaries and self image. You can witness for yourself the whole process of psychopathic seduction in The Seducer, previewed on Neatorama’s Bitlit.

The main thing that can save you from a psychopath–or from any other manipulative person who wants to take over your life–is cultivating a healthy self-esteem. This may seem like a truism. Unfortunately, it’s the kind of common sense that many know but fewer actually practice. Any therapist will tell you that he or she stays in business largely because of people’s unrealistic perception of themselves. Character distortions not only damage our self-confidence, but also taint our relationships. They make us excessively vain, or needy, or inflexible, or too willing to bend over backwards just to please others. More seriously, character disorders, such as psychopathy and malignant narcissism, are unfixable in adults.

Fortunately, however, most people don’t suffer from such constitutive emotional and moral deficiencies. More commonly, we suffer from distorted perceptions of ourselves. This puts us at risk of falling into the clutches of controlling individuals. To find your compass you need to look within, as the Greeks wisely advised. Ultimately, nobody else can save you. You can save yourself by living well, which depends upon knowing your worth–neither underestimating nor overestimating it–and pursuing with a mostly internally driven self-confidence the path you want to take in life.

As a novelist and literary critic, I believe that this lesson can be learned as much from literature as from life. Novels can touch you on both an intellectual and an emotional level. I’m hoping that my modern cautionary tale, The Seducer, will  introduce you to a fictional world that mirrors and magnifies the psychological reality within you to help you see more clearly–and surmount–the real challenges you face in life.

You can view The Seducer online on the links below:

Claudia Moscovici, Notablewriters.com

January 3, 2011 Posted by | Anna Karenina, bitlit, books, Claudia Moscovici, contemporary fiction, David Israel, David K. Israel, domestic abuse, domestic violence, Edward K. Kaplan, Edward Kaplan, fiction, Flaubert, Gustave Flaubert, Leo Tolstoy, literary criticism, literary fiction, literature, literature salon, literaturesalon, love, Madame Bovary, novel, novels, psychological fiction, psychopath, psychopathy, seducer, seduction, serial novels, social predators, sociopath, sociopathy, The Seducer, The Seducer: A Novel, thriller, Tolstoy | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Comments Off on The Seducer: A Modern Cautionary Tale